When and how was your band created?
Silvio is originally a traditional teenage garageband. Jyrki and I created it together with Mikko Toiviainen (no longer a band member) in 1996 when I was 16 and Jyrki was 13. We played straight rock music influenced by especially Nirvana.
Where is the name of the band coming from?
There was a boy called Silvio in the hood where our band trained. He had a funny voice that made an impact on us so we decided to name the band after him after Verneri (my brother) had joined the group.
What musicians or artists did have a major influence in your life / work?
I can speak only for myself. The two big names are Nirvana and Radiohead. However nowadays I could mention a few more: Tom Waits, Jeff Buckley, Björk, Rufus Wainwright, Tys Tys and such impressionists as Maurice Ravel, Claude Debussy and Erik Satie which may have influenced more than a lot in the actualmusical compositions.
What are the positive and negative aspects of being a musician in Finland?
Well it’s hard for me to say because I don’t consider myself as a musician even if I earn a little with playing and composing. I actually made a decision at the age of 18 that I would never become a musician. But at least I can say that Finland is quite isolated from the rest of the Europe and the markets are very small here so if you want to make your living here with music you will have to play various kinds of music (which is both positive and negative).
How could you define your style of music?
Eventhough I don’t especially like the word “art”, I still would call Silvio’s music “art-rock” because it propably gives a rough image of the music.
During the years how has your musical style changed?
Well, let’s say that we started as an elctric guitar rock band and now we use more widely both acoustic and electric elements. One essential change and a determinate element was that Antti took the double bass instead of the electric bass.
However what’s more important the “attitude” of the music has changed. In the beginning the music and the lyrics were mainly anxious and the band took itself maybe too seriously. Nowadays we tend to have more variety in the attitude. We like to tell stories and play with roles. We sometimes like to “be serious” but not to “take ourselves too seriously”. You can still hear a lot of anxiety in our music but we don’t like to have the tone of claiming anyone. And the anxiety is just one shade in the moods of our songs eventhough there are not much songs “in major” in Silvio’s compositions.
How do explain these changes?
We got older.
What are topics you treat in your songs?
The frequent topics are self esteem, the relationship of a parent and a child, uncertainty, fear, one’s personal picture of the world, disappointment and so on.
What is your favorite song in your repertoire and why?
At the time “The Goats Are Gnawing”. - Well, it’s the newest and it’s great. We made it together with Jyrki and we haven’t recorded it yet but I am looking forward to it. I actually like very much of our own music but I hear it so much that i tend to like the new songs most and get bored to the old ones.
Do you actually prefer performing your music live or in a studio?
I really like both and can’t put them in order. Sorry!
During the process of making a song, what is the moment that you prefer?
Usually there comes a certain point where you find the idea. And then you play it and if it works you usually go wild and play it again and again. It’s very similar to the feeling when you get into someone else’s song. You want to hear
it over and over again.
A stupid question but… what is among all the songs you’ve been listening in your life the BEST song?
I can answer only to the question: “What currently feels to be the ALL TIME best song?” And the answer could now be: “I Will (Radiohead, from the album “Hail To The Thief”)” It is a very simple, short and singable song but it makes me feel as I was a 600-year-old calm but sad oracle who owns the greatest wisdom of life.
What is your opinion, as a musician, regarding internet?
I’ll have to say it again: “I don’t consider myself as a musician.” But as a band member and a songwriter I see the internet as a road (someone else figured out this metaphor). You can use the roads for bringing food to people and you can use the road to drive over people. It is not the roads fault. The hazards are vast but so are the possibilities.
Concidering selling records I think for the bands like Silvio internet is a gift. Maybe the major labels fear it, maybe not. I really don’t know because I use internet mainly for writing mail.
What are your projects?
Silvio is the project for me. I also like to make children’s music with “Kalapojat”. For earning some cash to pay the rent I play in various bands.
What “image” do you have of French music?
I don’t know French pop-music very widely but my composer idols (if one can use such expression) are the three great impressionists: Ravel, Debussy and Satie. I also have heard some french free-jazz which seems to be very innovative and high quality. So it’s natural that I connect “French music” to “high culture”. For more I have to mention Yann Tiersen, the man behind the incredible soundtrack of Amelie. There is a record that I don’t get bored with.
Is there one French song that you prefer? If so, what song is it?
Maurice Ravel: Pavane pour une infante defunte. That is also one of the all time greatest songs in the world.